These paintings show my memories and the cultural traditions that have shaped who I am. They show the jatras and rituals I used to enjoy. But after the earthquake, many things changed, like the places, the people, and the way these events happened. I still feel strongly connected to these traditions, but I can't experience them the same way I used to. Through these pieces of art, I try to keep those memories alive and contemplate how the emotional distance has grown over time. The works are a way for me to keep the cultural spirit that still shapes how I feel about myself and where I belong.

Biska Jatra

This painting is an ode to the lost artists whose contribution is an immense treasure to our nation. They worked not for fame, but for continuity, trusting that beauty would outlive memory. The temples rise still, their windows alive with delicate carvings, their pillars bearing myths that refuse to fade. Rain has touched them, earthquakes have shaken them, centuries have passed- yet the artists remain present in every grain and fracture, whispering through craftsmanship that defies forgetting.

Harayeko kalakarharulai sambodhan( ode to the lost artists)

This painting gathers fragments of lived spaces drawn from Kathmandu’s architectural heritage carved windows, doors, and ornamental motifs shaped by artisans whose presence remains visible through their work. Structured within a grid of boxes, the composition functions as a series of containers, holding traces that might otherwise fade into the background of everyday life. These forms are not presented as relics, but as enduring marks of human making. Each motif carries the imprint of the hand that shaped it, reflecting a tradition where craftsmanship gave meaning, beauty, and identity to the city. Yet, surrounded by these details daily, we often pass them without notice. The painting responds to this quiet disappearance by isolating and reframing these elements in contemporary visual language, allowing them to be seen again with intention. By containing these architectural fragments within defined spaces, the work acknowledges the accumulation of cultural memory embedded in the urban landscape. Imprints of Forgotten Hands is both an act of preservation and recognition drawing attention to the makers behind the material fabric of the city, and inviting a moment of pause to witness what has long existed in plain sight.

Imprints of forgotten hands (बिर्सिएका हातका छापहरू)

This painting is fragments of lived spaces, the boxes act like containers, holding memories, and traces that would otherwise disappear gradually.This work emerges from close observation, material sensitivity, and cultural memory. Rooted in the architectural language of Kathmandu, it draws from traditional motifs found in temples, muth, and mandir especially the carved wooden doors and windows shaped by patience, devotion, and skilled hands. These forms once carried ritual, function, and identity; today they remain quietly embedded in everyday surroundings, often passed without notice. This painting does not attempt to preserve these motifs as static relics of the past. Instead, it brings them forward reframed, reassembled, and contemporized within the present moment. The rhythms of wood carving, the repetition of patterns, and the structural logic of traditional architecture are translated into paint, allowing the surface to act as a time capsule that holds fragments of craftsmanship at risk of fading beneath modernization and habitual seeing. This work asks for recognition rather than nostalgia. It invites the viewer to pause and re-encounter what has always existed, yet often remains unseen. By shifting these architectural details into a contemporary visual space, the painting quietly honors the artisans who shaped them and reflects on how cultural beauty can continue to exist, evolve, and be perceived today.

Time living in wood (काठमा बाँचेको समय)

White

Yellow

Indigo

Blue

Black

Gray

Orange

Green

Violet

Brown

Pink

Beige

A painting is an artwork that uses color and form on a surface to convey an idea, mood, or scene.

Acrylic

Acrylic Oil

Aerosol / Spray Paint

canvas

cartridge paper

casein

chalk

Egg Tempera

Fresco

Gouache

marker

natural pigment

Oil Pastel

Other

Pastel

Watercolor

painting

Animal

Atmospheric

awareness

Botanical

Cartoon

Chamber

Chaos

Cityscape

Color

Comic

comic world

companionship

Concept Art

Conceptual

consciousness

contemplation

Crown

cultural

Culture

Cure

Deities

Documentary

Emotion

Everyday Life

evolution

existence

exploration

Fantasy

Fantasy Characters

Festival

Figure

Floral

Food

geometric form

Geometry

gift

harmony

Heritage

Historical Events

Holiday

humility

instinct

Island

journey

Knowledge

Landscape

Lifestyle

Marine

Medicine

mindfulness

Mood

motherhood

Mythological

Nature

Nude

observation

passage

path

perception

Performance

Pets

Portrait

quiet moments

reflection

religious icon

resilience

Ritual

sci fi world

Sci-Fi

Science

simplicity

Snow

Social Commentary

solitude

Spiritual

Sports

Still Life

Sunsets / Sunrises

survival

symbol

Technology

thirst

tranquility

Travel

unintentional creation

universe

Urban

Urban Life

urban mind

vulnerability

wander

Water

wilderness

Wildlife

World

A drawing is a visual artwork created by making marks on a surface, usually with pencil, ink, or charcoal, to express ideas, forms, or emotions.

Acrylic Marker

charcoal

colored pencil

crayon

Crosshatching

fine liner

Graphite

metal

drawing

Architecture

Calligraphy

Portraiture

Sfumato

Surreal

Mixed media is an artwork created using two or more different materials or techniques.

Results for " kathmandu"

Subscribe To Our Newsletter