Instead of seeing curiosity as an emotion, imagine it as a physical place.The windows are rooms built by curiosity itself. Every time someone wonders, questions, or imagines, another doorway opens.The rabbit is curiosity given a body.Every panel represents curiosity moving deeper into the architecture of the mind.The work transforms an abstract feeling into an environment, inviting the viewer to move through curiosity as though it were a physical space.

Architecture of Curiosity IV

Architecture of Curiosity III

Architecture of Curiosity II

Architecture of Curiosity I

This work visualizes the transformation of the Kathmandu Valley as described in the Swayambhu Purana after Manjushri drains the primordial lake. The valley is reimagined as a vessel of abundance, where the self arisen flame of Swayambhu speaks to the richness and enduring fascination of our history and origin.

Primeval

The vibrations, sounds, and interactions with nature continually inspire me to explore the theme of my surroundings. The colors and their visual language create a spatial dialogue within my work, giving me the energy to engage with the process and move forward in my creative journey.

A Dialogue with Nature -III

I remember my grandmother drying seeds under the sun, her hands moving with practiced ease. The earthy aroma filled the air as we sat together, sharing stories and laughter. She would offer me baked grains and beans, their warmth and simplicity a comfort. These moments, simple yet profound, are etched in my memory, a testament to the bond we shared and the traditions she passed down.

Seeds of memory V

Seeds of memory II

Food serves as the ultimate architect of culture and community within this artwork. The visual narrative explores how traditional recipes and ingredients act as living archives, preserving heritage and defining cultural identity across generations. Elevating this narrative further, the piece taps into the sacred dimension of nourishment. By portraying food as both a ritualistic offering and a shared blessing, the work reflects a profound spiritual harmony—reminding viewers of a mindful connection to the universe and turning everyday dining into an expression of gratitude.

Grains of Roots II

5000 years ago, two Brahmans named Bidhyadhar and Yeshodhar visited a place near Kumaripati. They had brought a lane with them which they rested against a wall before sleeping. The next morning when they woke up, they saw their lane turn into a big tree. People worship the tree as Barunbrikshya a form of lord Shiva up till this day. The two brahmans had burnt wood at night which is still burning in today’s day even after so many years. That’s why they named this place Aagnishal which means burning wood. My grandfather told me this story on the way home when he used to pick me up from school. We used to walk pass the same tree at Aagnishal. Since the tree is crooked, it blocks the road so people have to bend down to pass through. When I used to walk with my grandfather as a kid, I used to bend down watching my grandfather bend down even though I could easily walk through it up straight.

Buttressed through roots and ruins

Whispering through smoke

Dolpo remains one of the last untouched and uncharted regions of the Himalaya. While it shares certain geographical and cultural echoes with other Himalayan communities of Nepal, its identity stands distinctly apart—rooted in its own language, rituals, oral histories, cuisine, jewelry, and, most visibly, its attire. These elements together have long defined a self-contained cultural world. However, the tides of migration and external influence have begun to reshape this landscape. Where culture once spoke effortlessly as identity, it now often requires explanation. Traditional patterns and textile practices are gradually shifting; handwoven woolen fabrics, once integral to daily life, are increasingly replaced by affordable, imported blends of polyester and cotton. This transition reflects not only economic change but also a subtle erosion of material heritage. In this body of work, I attempt to hold these two realities—the traditional and the contemporary—within a single frame. My paintings seek a quiet balance, where cultural memory coexists with present transformation, without conflict yet not without tension. Through composition and form, I aim to preserve an aesthetic continuity while acknowledging inevitable change. At its core, my practice is an effort to honor and reflect the enduring identity of Dolpo and its way of life.

dolwa

This body of work reflects on the gradual disappearance of a way of life in Dolpo, shaped by migration and the quiet resilience of those left behind. Since the early 20th ,migration has steadily increased, with a significant number of women leaving their homeland in search of stability beyond the mountains. As a result, men have become the enduring presence in Dolpo, holding together the fragments of culture, memory, and daily life. Dolpo shares deep cultural, linguistic, and spiritual ties with Tibet—visible in its food, festivals, and traditions. However, the political upheaval following the Chinese invasion of Tibet in 1951 marked a turning point for the region. The global movement of Tibetan refugees reshaped not only Tibet but also influenced the aspirations and decisions of the Dolpo people. Gradually, migration became a common path, often facilitated by complex identities and narratives that allowed access to opportunities abroad. In many households, at least one member now lives in exile, and most who leave rarely return permanently. This absence has altered the social and cultural landscape of Dolpo, leaving behind a silent, emotional void carried largely by women. Through this painting, I attempt to capture that sense of loss and continuity—the emotions, traditions, and everyday life that remain rooted in the land. While migration cannot be halted, this work seeks to preserve and recall the beauty of Dolpo: its landscapes, its people, and its enduring cultural spirit, remembered across distance and time.

bhumo (Dol.extintion)

Dolpo, like many indigenous cultures, is increasingly affected by modernism. Without careful preservation, our unique way of life risks fading away due to climate change and outward migration. Through my paintings, I try to reflect and preserve this fragile cultural identity. Native textiles—rich in symbolism, color, and tradition—appear across almost all of my work, serving as a visual language that connects the past with the present. My art is both a tribute and a response: a way to honor where we come from while acknowledging the changes shaping our future.

Dol.extintion(dolwa)

Manjushree stood at the valley’s edge, witnessing the sacred light submerged within Lake Nagdaha. Raising the mighty sword Chandrahas, he struck the southern mountains at Chobhar. The jagged rift released the primordial waters, draining the basin to reveal fertile land, transformed from a silent deep into a cradle for civilization.

The Story of Manjushree

Imitating Tree

Childhood memories

At night, she leans alone

Rasik does not seek to represent the world as it appears, but as it is felt—as it is intuited. His practice is a pursuit of transcendence, an attempt to glimpse what lies beyond the material and visible realms. Through his work, he explores the subtle thresholds where the inner and outer worlds dissolve into one another, where form gives way to presence and silence.

Batchit yugai yug ko

Everything that i shall experience between birth and death is a passage through shifting light- a collection of moments that arrive unannounced and leave quietly, shaping who I become without asking permission. Joy and loss, wonder and uncertainty, all move through me like seasons, each leaving traces that cannot be held yet cannot be erased. This work reflects that fleeting journey: a remainder that life is not a destination to possess, but a continuous unfolding to witness, feel, and finally release.

Janma ra mrityu ko bich ma

This painting is an ode to the lost artists whose contribution is an immense treasure to our nation. They worked not for fame, but for continuity, trusting that beauty would outlive memory. The temples rise still, their windows alive with delicate carvings, their pillars bearing myths that refuse to fade. Rain has touched them, earthquakes have shaken them, centuries have passed- yet the artists remain present in every grain and fracture, whispering through craftsmanship that defies forgetting.

Harayeko kalakarharulai sambodhan( ode to the lost artists)

Nothing is truly lost; we simply change form, returning to the great mystery that first imagined us. The universe is experiencing itself, again and again, through us.

Nirakar dekhi aakar ani feri nirakar

Becoming Transcendence Rasik Rai does not seek to represent the world as it appears, but as it is felt—as it is intuited. His practice is a pursuit of transcendence, an attempt to glimpse what lies beyond the material and visible realms. Through his work, he explores the subtle thresholds where the inner and outer worlds dissolve into one another, where form gives way to presence and silence. In his process, Rasik listens closely to stillness and allows it to speak through color, texture, and space. Each work becomes a quiet dialogue with the unseen—a meditation on reality that cannot be captured, only sensed.

Where my ancestors reside-II

The relic-I

Tirtha-IV

In a time when oral traditions are quietly fading, Roshan Bhandari’s work stands as a visual archive of Nepali folktales and folklores. These stories, once shared in intimate gatherings, echoing values of coexistence, respect for nature, and community wisdom, are the heartbeat of Nepal's cultural identity. They are not mere entertainments of the past but essential narratives that shape language, thought, and belonging. Bhandari’s artistic journey is rooted in deep research and creative reinvention of these traditional tales. His works transform oral histories into dynamic visual experiences, where ancient myths converse with contemporary realities. Through his paintings, the artist invites viewers to explore themes of wildlife conservation, harmony between humans and nature, and the importance of linguistic heritage. The artwork is more than nostalgia; it is an urgent call to preserve and revive the storytelling traditions that nurture cultural continuity. By retelling these folktales through his art, Bhandari not only safeguards the memory of a shared past but also contributes to the evolution of Nepal’s linguistic and cultural fabric. His artworks become living narratives, where the past informs the present, and tradition finds new life.

The tale of virtue and reward II

Creating a sculpture concept centered around having fun and automatism sounds like an exicting project! Automatism in art often involves allowing the subconscious mind to guide the creative process, resulting in spontaneous and free-flowing expression. To incorporate automastism into the creative process, starts with a loose sketch or simply dive in without any preconceived notions. Allowing your hands to guide the scuplting tools intuitively, responding to the flow of the materials and letting the form evolve organically. Embracing imperfections and unexpected twists, as they add charm and authenticity to the pieces. Ultimately “Jolly Reverie” celebrates the beauty of embracing the moment, letting go of inhibition and finding delight in the crative process without being conscious about the final outcome. These asymmetry and irregular shapes conveys the sense of freedom and flexibility.

Raku Face

Red Lava (Jolly Reverie

Lyrics of Night expresses love as a calm and timeless emotion. Created using discarded and reclaimed materials, the figure is rendered in soft earth tones, giving new life to elements once considered forgotten. The quiet posture suggests intimacy, trust, and emotional connection. The mechanical components within the body symbolize the steady rhythm of the heart, reminding us that love continues through time, change, and imperfection. By transforming discarded materials into a serene form, the work reflects love’s power to heal, endure, and find beauty in what already exists.

Results for "artcollector"

Architecture of Curiosity IV

Architecture of Curiosity III

Architecture of Curiosity II

Architecture of Curiosity I

Primeval

A Dialogue with Nature -III

Seeds of memory V

Seeds of memory II

Grains of Roots II

Buttressed through roots and ruins

Whispering through smoke

dolwa

bhumo (Dol.extintion)

Dol.extintion(dolwa)

Dol.extintion(dolwa)

The Story of Manjushree

Imitating Tree

Childhood memories

At night, she leans alone

Batchit yugai yug ko

Janma ra mrityu ko bich ma

Harayeko kalakarharulai sambodhan( ode to the lost artists)

Nirakar dekhi aakar ani feri nirakar

Where my ancestors reside-II

The relic-I

Tirtha-IV

The tale of virtue and reward II

Raku Face

Red Lava (Jolly Reverie

Lyrics of Night