Instead of seeing curiosity as an emotion, imagine it as a physical place.The windows are rooms built by curiosity itself. Every time someone wonders, questions, or imagines, another doorway opens.The rabbit is curiosity given a body.Every panel represents curiosity moving deeper into the architecture of the mind.The work transforms an abstract feeling into an environment, inviting the viewer to move through curiosity as though it were a physical space.

Architecture of Curiosity IV

Architecture of Curiosity III

Architecture of Curiosity II

Architecture of Curiosity I

Touch V: Burning Past reflects the quiet fading of memory over time. As I grow older, moments once vivid begin to blur, leaving behind only fragments and sensations. The work captures this slow erosion, not as loss alone, but as transformation, where the past lingers like embers, still present, yet never fully within reach.

Touch V : Burning Past

A fragile, organic core is held within rigid, architectural forms that both sustain and confine it. What begins as structure and support slowly transforms into intrusion, overtaking the very body it was meant to protect. Branch reach outward, hinting at a fading connection to something natural and free. Reflecting on the quiet tension between dependence and control, where survival and loss begin to exist in the same breath.

Lost of detail

Decaying Pillars stands as a portrait of support turned fragile, where strength erodes from within long before it collapses outward. What once held weight begins to falter, not from force, but from the slow infection of corruption and concealed rot. Mold spreads like truth denied, creeping to the surface, revealing what was always there but left unseen.

Decaying Pillars

On a windy day, I lay trapped in paralysis between sleep and waking. Air seeped through the window, its presence grows into a force that presses and tears against my skin. Though fully conscious, my body never moved. The door remains within reach, an escape known yet unable.

Touch IV : To howl as the wind

“Touch” reflects the shifting reality of bipolar experience, where emotion and perception blur into an unstable inner world. A distorted figure reaches outward, its elongated fingers expressing a fragile need for connection and grounding.

Touch III: break of dawn

Rasik does not seek to represent the world as it appears, but as it is felt—as it is intuited. His practice is a pursuit of transcendence, an attempt to glimpse what lies beyond the material and visible realms. Through his work, he explores the subtle thresholds where the inner and outer worlds dissolve into one another, where form gives way to presence and silence.

Batchit yugai yug ko

Everything that i shall experience between birth and death is a passage through shifting light- a collection of moments that arrive unannounced and leave quietly, shaping who I become without asking permission. Joy and loss, wonder and uncertainty, all move through me like seasons, each leaving traces that cannot be held yet cannot be erased. This work reflects that fleeting journey: a remainder that life is not a destination to possess, but a continuous unfolding to witness, feel, and finally release.

Janma ra mrityu ko bich ma

Nothing is truly lost; we simply change form, returning to the great mystery that first imagined us. The universe is experiencing itself, again and again, through us.

Nirakar dekhi aakar ani feri nirakar

Becoming Transcendence Rasik Rai does not seek to represent the world as it appears, but as it is felt—as it is intuited. His practice is a pursuit of transcendence, an attempt to glimpse what lies beyond the material and visible realms. Through his work, he explores the subtle thresholds where the inner and outer worlds dissolve into one another, where form gives way to presence and silence. In his process, Rasik listens closely to stillness and allows it to speak through color, texture, and space. Each work becomes a quiet dialogue with the unseen—a meditation on reality that cannot be captured, only sensed.

Where my ancestors reside-II

The relic-I

Tirtha-IV

Creating a sculpture concept centered around having fun and automatism sounds like an exicting project! Automatism in art often involves allowing the subconscious mind to guide the creative process, resulting in spontaneous and free-flowing expression. To incorporate automastism into the creative process, starts with a loose sketch or simply dive in without any preconceived notions. Allowing your hands to guide the scuplting tools intuitively, responding to the flow of the materials and letting the form evolve organically. Embracing imperfections and unexpected twists, as they add charm and authenticity to the pieces. Ultimately “Jolly Reverie” celebrates the beauty of embracing the moment, letting go of inhibition and finding delight in the crative process without being conscious about the final outcome. These asymmetry and irregular shapes conveys the sense of freedom and flexibility.

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